supported by 22 fans who also own “Intro (Rindill Version)”
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last! Anthony Cottrell
supported by 20 fans who also own “Intro (Rindill Version)”
We turned on to Emma Jean at Monterey Jazz Fest, and she's the reason I went from 'ehhh I'm not sure I like Acid Jazz and I sure as hell don't like fusion" to "what the hell is *this awesome galactic brilliance?!* A rare talent and a damn fine slab of wax that I have on heavy rotation. I love many tracks including 'Spectre', and i wonder to myself how much it owes to Kate Bush's spectral "Watching You Without Me." jaxers
supported by 19 fans who also own “Intro (Rindill Version)”
My god, what an absolutely incredible Suite. I'll admit, I've struggled to get into Pharoah Sanders due to diving headfirst into some of his most challenging catalogue and that never worked. This is the perfect place to restart. Floating Points is new for me and I can honestly say I've never heard synthesizer music this lush and organic before. the LSO is just perfect. This is one of those albums that any serious music fan needs in their life. The perfect swan song for the great Pharaoh! 5/5 ClassyMusicSnob